Urban Art and Creativity: Hola Utopia!

For the fourth time, the urban art festival Hola Utopia! co-organized by MTN, has filled the walls of the capital of Lower Saxony with the talent of internationally renowned artists. It took place late August in the city of Hannover, home of the German subsidiary of Montana Colors.

With the projects of the Catalan Anna Taratiel, the Japanese Suiko (a native of Hiroshima, city twinned with the festival headquarters), German Want a Wall and the repeaters Kartel (of Belarusian descent), and Bier En Broot from Rotterdam, an extraordinary level has been reached.

This year, with a very favorable weather and a geographical concentration of the places where the interventions have been made, made this edition a very placid one. There’s been a great reception from the public, from the neighborhood and from the numerous media that have echoed the artists' stay in the city.

In his mural, the Japanese Suiko used the school's corporate colors where the wall that embraces it is located. The image results in an allegory to a loudspeaker using an abstract language of liquid and wind, circular and almost organic forms, as if it was an image that disseminated the music and sound characteristic of the educational center. Located on the Scheffelstraße, on a strategic corner with considerable road traffic, the mural promises to attract the attention of numerous passers-by and drivers.

On the opposite side of the building, the Gustav-Adolf-Straße, is the mural of Kartel, with its precise and distinctive style. His work fuses reminiscences of a children's coloring book, with the playful and characteristic of digital image generation visual aesthetic, incorporating elements such as flicks, glitches and pixels into a composition of flat colors and minimal palette.

Continuing a few hundred meters east of the Nordstadt district, we are confronted by the intervention of Anna Taratiel, a mural completely enveloping the two façades of a corner building. Terrassa's composition is geometric, abstract and constructivist, almost fractal and, to a certain extent, musical, as are all her creations with which she has delighted us in recent years. It adds color and dynamism to a commercial and busy area, and is intended to become a genuine landmark for both the neighborhood and the city.

A few blocks beyond, on the Am-Kleinen-Felde Straße, perhaps one of the riskiest interventions of this festival: the Want a Wall mural teleports a bass-rail from New York City to the heart of Lower Saxony, in a detailed spread of flora and wild fauna, which runs freely, evoking the iconic and dystopian film "I Am Legend" starring Will Smith.

To enjoy Bier En Brood's amazing work, we have to go further north to the Hainhoelzer Hoefe industrial complex in Helmkestraße. The artist, who repeats his participation in the festival and whom we also remember for his presentation of the last edition of Tramontana, has created his personal flying architectures, fantastic landscapes of Escherian reminiscences.

These geometrical and impossible visions transform the perimeter of an industrial premises into an inter-three-dimensional landscape, executed with the personal greyscale characterizing the Dutch artist.

This same industrial complex, which was the same spot where Galleta Maria intervened during the previous edition, hosts, among other parallel activities, the collective exhibition of Urban Art organized by the festival. Here are exhibited creations of various formats and techniques, made by a large representation of the artists who have participated throughout the four editions of the festival.

Hola Utopia! defines itself as an international festival of Urban Art and muralism that transforms the city into a space of debate and promotion of certain progressive values. This socio-cultural festival encourages all Hanoverians to share their ideas for the future of their city during a series of workshops prior to the start of the festival.

In short, Hola Utopia! represents year after year a wonderful example of how Urban Art can unite the community and give life to a collective vision of a more vibrant and hopeful future, both for the city of Hannover and for all those who wish to follow its wake.

A huge talent displayed by the creators in their works, with results full of boldness and color, always with the message in the background that lies at the very heart of the festival: we need a better future for our cities, and we need this future to manifest itself as soon as possible.

We also need good communication between the inhabitants of all cities, with a desire for cooperation, to achieve a future as a society that, far from any utopia, becomes a sustainable, happy, inclusive, and participatory reality for all. A motivating future scenario, in which art and creativity must play a major role.